It happens to all of us. We reach an age at which, while behind an
automobile’s steering wheel, we find it more pleasurable to listen to
middleaged people conversing than much younger people singing. This happened to
me at around the dawn of my 40s. Hearing that there was going to be an
interesting guest on the NPR interview show Fresh
Air would make me exclaim, “Oh boy!” Over the years, though, I find that I
have come to listen to the program less and less frequently, for the simple
reason I absolutely cannot stand its host, Ms. Terry Gross.
Many
find distasteful the sight of a person, and specifically a woman, dressing as
though very much younger than she actually is; the Brits, predictably, even
have a cruel expression for it — mutton dressed as lamb. In the photos I’ve
seen of her, Gross seems to be going in physical self-presentation for Mousy to
the Max, but if it’s untoward for a woman her age to dress like Miley Cyrus,
let’s say, it’s even more untoward for her to talk like one of La Cyrus’s
pre-pubescent fans, as Gross does. You may think you’ve overheard teenaged
girls saying “like” a lot, but they say it not at all compared to Gross. “Do you want to, like, edit [your daughter’s] tweets?” she
asks the movie producer Judd Apatow. She describes herself to an actress from The Office as “like, really short, and
when you see, like, jackets with the shoulders drooping off of you and pants
that are just, like, way too, like, tight in one place and loose in another
place, it’s not a good thing.” Buttering up Stephen Colbert, she oozes,
“You’re walking the line so well between, like, your character, and your own
beliefs.”
Which isn’t even to mention her second most annoying tic, the
time-buying “y’know” with which she peppers her speech no less relentlessly
than a rapper who keeps demanding, “Know’m sayin’?”
But back to the fawning she does with, uh, cultural (rather than
political, for instance) figures. You thought American Idol host Ryan Seacrest was obsequious with the beautiful
people? Gross is twice as obsequious with the unbeautiful (and they don’t come
much less beautiful than the hoarse jazzbos she’s forever exhuming in spite of
the fact that nobody’s ever heard of them, except maybe their own rhythm
sections), here giggling delightedly at their feeblest attempts at humor, here
squealing with helpless delight. It turns out that Colbert can sing, sort of.
To hear Gross’s reaction, you’d have thought he was Pavarotti crossed with Otis
Redding. She’s like the desperate plain girl in high school, laughing too hard
at the cute boys’ wisecracks, trying too hard to demonstrate that vivacity and
high-spiritedness really can trump good looks.
Put her up against someone aggressively obnoxious, like Kiss’s
Gene Simmons, and she gets all gee-whizzy, exuding a sort of persecuted little sister
petulance that made this listener, then a New York resident, punch the button
for the Woodstock station that plays Tom fucking Petty and The Pretenders 45
times per hour, every hour, every day of the year.
There will be some who will read this and think me monstrous for
denigrating so spiritedly someone as benign as Gross. But I have it on good
authority, from a [state withheld] Public Radio employee who’s worked with her
that Gross’s on-air persona is as genuine as Gene Simmons’s hair color. When her
mic is turned off, my acquaintance says, she’s a cold-blooded bitch.