No one does idol
worship as the Brits do it. I remember going to the Kings Road during one of my
first visits to London, back when London was exhilarating and gaudy and
spectacular, when it was rock and roll made flesh, and going into successive
boutiques in which Marilyn Monroe and James Dean seemed to be employed, though
both were long deceased. They were a couple of local kids, you see, and
wondrous to behold. Their impersonations were richly detailed. They couldn’t
have looked more like their respective idols if the makeup, hair, and wardrobe
departments of lavishly funded movies had spent hours on them.
Nowadays, the colour
is gone from London. One doesn’t find himself sat next to on the Tube by
someone who looks exactly like his or her favourite member of The Thompson
Twins or Hayzee Fantayzee or Culture Club. The thrill is gone.
But the tradition
isn’t without its die-hard defenders, and a friend of my spouse, recently
escaped from a soured marriage, is in love with one of them, a guy who works as
a kitchen porter in a school cafeteria by day, and by night does his best not
just to look like Brian Eno as he did in the early days of Roxy Music, with the
very high forehead, the Edward Scissorshands-anticipating jacket, and the
immoderate makeup. He apparently
makes a bit of money doing this, though I, an American, find it difficult to
imagine many people thinking that an Eno impersonator will be just what their
party needs. A lookalike agency
gets him work. When he attends meetings of the Eno Adoration Society, he is
greeted with rapturous delight. The fact of his being a 56-year-old man
impersonating the 25-year-old version of his idol apparently troubles no one at
all.
I have never met him,
but he will presumably be attending Dame Zelda’s forthcoming birthday party, and
I have devised a wonderful plan for meeting him. I will say, “You know, you
remind me so much of someone, but I can’t for the life of me pinpoint whom.”
“Sure you can,” I can
envision him responding, perhaps a little desperately.
I will furrow my brow
and walk around him, considering him from all angles. At last my face will
light up, as I say, “Kramer from Seinfeld,
right?”
I suppose I should explain.
It used to be that I
couldn’t walk through an airport without somebody stopping me and saying, “You are somebody, aincha?” There have been
those who believed me to resemble Paul Stanley, and later Prince, of all
people, though he was 4-9 and I’m 6-1. One young woman on whom I lowered the
boom in a supermarket in the San Fernando Valley in 1980 believed me, without
pharmacological help, to be the bass player of The Cars, like whom I couldn’t
have looked less. In the first months of this century, three perfect strangers,
over the course of around six months, felt I might be delighted to hear how
much like Kramer they thought I looked. I was not delighted.
And then it got even
worse. On the evening of my recent birthday, a young hip hop type in Brighton
felt called upon to inform me that I looked just like Christopher Lloyd in Back to the Future.
I was very much happier
with the guy from The Cars.