It
dawned on me at the beginning of 1976 that composing an anthem for America’s
200th birthday might prove just the get-rich-quick scheme I’d been
looking for since being invited no longer to be an employee of ABC Records. The
result was a sarcastic toe-tapper in which the singer confessed, “Lord, I got
dem Bicentennial blues, clear down to my Bicentennial shoes.” It wasn’t
sensational, but if I’d been Randy Newman, all the world would have regarded it
as a work of staggering satirical genius.
I
got myself a job editing radio interviews for the Los Angeles media personality
Lew Irwin. I’d record an interview with someone and then Lew would re-read the
questions I’d asked. I interviewed some authors whose books I hadn’t actually
read, and Danny Fields, who’d discovered and was managing The Ramones, and the
group comprising the late Three Dog Night’s backing musicians and the guy who
would go on to sing lead for Toto. What a very scintillating bunch they were, and how very unhappy I made them! I
spent most of the interview verbally suckerpunching the bass player, who I knew three years before to have stiffed a member of Christopher Milk for some carpentry work.
Much
amused by the original Pits drummer’s disco-style drumming, Greg Shaw released
my 1975 demos as an EP on Bomp Records. The world was not set afire. I came into
Rhino Records on Westwood Blvd. to cash in an armful of reviewers’ copies of
others’ stuff, and was greeted by a sign suggesting that the record could be
enjoyed only by a masochist. I borrowed a pen and appended “or philatelist or
botanist.” My victory was Pyrrhic.
I lived
on Sunset Blvd., first on the fourth floor, and later on the 12th,
and dashed off a quickie biography of Paul McCartney. My band Christopher
Milk’s former producer, who’d gone on to produce Paul, was not pleased about my
having related unflattering things he’d told me about Paulie. Epic Records
agreed to fund a demonstration tape, this in the days when you couldn’t yet
record something entirely credible on a laptop in your bathtub. Peter Frampton
was in the process of selling 17 billion copies of his live album, the appeal
of which I was unable to discern. Jethro Tull released an album called Too Old to Rock and Roll, But Too Young to
Die. Noting that I was months older than the song’s composer and singer, I
became fretful.
On Memorial Day, I went with my girlfriend and her little girl to Will Rogers’ home in the Pacific Palisades, and, because it was a gorgeous day, and I the living embodiment of rude animal health, decided to sprint across Will’s polo field. I made it around 20 yards before collapsing to the ground in pain and embarrassment. ‘Twas at that moment I resolved to quit smoking and to exercise regularly, resolutions I have kept to this day.
I
visited the UK for the second time in the autumn, hoping to get myself the record
deal that had eluded me in my own country. No fewer than four A&R men
pronounced me the Next Big Thing. None would respond to my letters or return my
phone calls when I got back to California. I bought my girlfriend, who was
fairly iffy about the whole idea, some PVC fetishwear at a boutique in South
Kensington called She-an-Me for reasons known only to the proprietor. The pound
had just been devalued, and the big department stores on Oxford Street stores
were effectively giving clothing away. I bought a great deal. I almost saw The
Sex Pistols, but one of the Bromley Contingent, loitering in front of the
venue, excitedly told me they sounded just like The Stooges. “Been there, done
that,” I thought. I visited Christopher Milk’s former producer and learned he
was about to produce the Pistols. “They tell their manager to fuck off from the
stage,” he marveled admiringly. I was of course beguiled.
I
attended an Xmas party at the home of a woman who’d worked with my girlfriend
at ABC Records, and there met a guy who worked for Warner Bros.’ music
publishing company. When I assured him I was America’s greatest living
songwriter, he invited me to come in and play him tapes. Thus did the year end
with me feeling optimistic.
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