Out of the frying pan, and into the fire. After around seven
months of responding to perhaps 75 job postings (for graphic design, writing,
and videography jobs) per week, and having been invited in for a grand total of
two interviews, I decided to stop trying to fight City Hall, and commenced
beating my head against the wall in an entirely different way — trying to
secure bookings for my delightful new pop/rock combo, The Romanovs.
I’ve never actually done this before. Back when I was pretty
and unlined and had both original shoulders, I didn’t actually have to grovel
and plead very much to get my band of that era booked. I was the rock critic
American youth most loved to loathe in those days, and I think club bookers believed
that lots of persons whose heroes I’d pooh-poohed in print would swarm to my
own group’s performances to look at me askance, or even to pelt me with rotten
produce, or the lifeless rodents their cats had dragged in.
But the world has passed me by, and those who procure talent
for the niteclubs and so on of present-day Los Angeles seem not remotely
impressed to hear from me. To date, I have sent out half a dozen zany,
custom-designed little advertisements to niteclub bookers to try to get them to
have a look at our Website. Until last Friday afternoon it was though I’d
clicked Delete rather than Send.
But then a gentleman phoned to ask if we’d be interested in opening for
three heavy metal tribute bands at the end of the first week in August at his
club in the San Fernando Valley.
It’s quite common in Los Angeles to have to pay to play. A
booker will say, “I imagine your band has a great many fans?” You mumble
ambiguously, or clear your throat, hoping he or she will hear it as
affirmative, whereupon the booker says, “Well, what we’ll do then, is sell you
100 tickets for $5 each. You, in turn, can sell them to your large following
for $10.” I was much heartened when the guy proposed no such thing, but said he
would actually pay us to play.
Three bucks each.
I thought I might buy some sugarless chewing gum with mine, though I fret about the chemical sweeteners they use instead of sugar being carcinogenic.
I accepted the gig. After weeks of frustration,
I’d have agreed to open for a pile of Styrofoam clamshells for a buck each. Two
of the other three were pretty delighted, but the third, who turned out to have
played the venue more times than he could count, and who recalled its booker
offering to book an earlier band of his if he would supply nude photos of his
girlfriend, was highly undelighted. We decided jointly to pull out, though I’d
already begun looking forward avidly to a clubful of over-tattooed young metal
fans indignantly gasping, “WTF!” in unison during our closing number, The Who’s
“The Kids Are Alright,” which we perform in the style of Johnny Cash & The
Tennessee Two tune.
Two hours after the rehearsal at which we agreed sadly to
decline the gig, I looked in my emailbox, and what to my wondering eyes should
appear but an email offering us a Saturday night showcase at a club in Hermosa
Beach.
Sometimes it appears for a few minutes as though hard work
and tenacity really do pay off!
Eschewing complacency, I did another emailing yesterday
morning, and damned if another heretofore-unresponsive booker didn’t respond. Of
such small triumphs are my new hopefulness made!
It will only keep getting better.
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ReplyDeletehttp://www.slate.com/blogs/browbeat/2015/07/21/_howiquitspin_is_university_of_california_davis_professor_joshua_clover.html
Kudos on the "Kids" as covered by the Man in Black" idea. With the sanger descending rather than assending on the titular line!
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