On the strength of my slashing wit and glamorous self-presentation (I wore ruby satin suits from London and had a layered $15 haircut, while other writers-about-rock all looked like Lester Bangs), I was now on the LA A-list, but longed for a getaway. When the new publicist for the notoriously clueless Mercury Records offered me an all-expenses trip to San Francisco on the condition that I interview an obscure British folkie someone at the label hoped might be up to something, I eagerly accepted.
I was sent some albums. Their covers showed a frail young fellow with bad teeth and a terrific perm. I found most of his stuff tedious and wordy.
Mercury Records were already paying for my hired car, so they asked me to collect him at San Francisco International when he arrived from Houston. The guy who got off the plane bore little resemblance to the one on the album covers. This one had long flowing hair, was wearing a dress and carrying a purse. I wondered how he'd got out of Texas alive, and admired his audacity immediately. I liked also that he seemed to appreciate my slashing wit, even when manifested deadpan. I liked his too.
We were bivouacked in adjoining rooms at the Holiday Inn, in whose downstairs lounge a remarkable duo, who simultaneously played drums, organ, and two horns between them, were, uh, entertaining. They hooted at the sight of a man in a dress. We retaliated by braying implacably for songs we supposed they'd be deathly sick of playing.
Rodney Bingenheimer, the famous LA scenemaker, phoned to find if David craved a groupie. (Sight unseen, David was of interest to Rodney by virtue of being English. A Brit could write his own ticket in LA in those days.) David did; oh, boy, did he! When she showed up, she was considerably more interested in me. Gracious host that I was, I demurred. He asked with a gleam in his eye (the blue one, as I recall) if she fancied a guitar lesson. I thought that wonderfully debonair.
Mercury Records hoped to save more money, and prevailed upon me to drive him down to San Jose, where a radio station had agreed (probably with the greatest reluctance) to interview him on the air. We improvised a ribald new version of Edwin Starr's "War". Instead of War, what is it good for? we sang Tits, what are they good for! Good clean heterosexual fun!
The disk jockey looked like Lester Bangs and was clearly appalled by my new pal. Cutting short their very brief interview, during which he demonstrated himself immune to Bowie's slashing wit, the DJ asked if there were anything Bowie wished to hear. "The Stooges," I whispered to Bowie, who hadn't heard of them, but trusted my judgment. He loved them, as how could one not? I would later become as rich as a rajah on the back of Bowie's collaborations with Iggy Stooge, later Pop, and be mentioned in many of the biographies that came to be written about them.
More tomorrow!
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Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts
Saturday, March 27, 2010
Friday, February 19, 2010
I'm Johnny. Fly Me.
I wasn’t always terrified of flying. In my teens and early 20s, I found it hardly more daunting than riding a bus. Then, for no good reason, in the middle of a flight from LA to San Francisco, it occurred to me that if something went terribly wrong with the plane, I probably wouldn’t live to talk about it.
We fearful fliers discover one another with an odd combination of delight and disdain. On the one hand, how lovely to meet someone who shares your recognition of how deeply terrifying the whole experience is. On the other, such a person is absolutely the last I want anywhere near me on the plane, where my hope is to be surrounded by those who, even in the most violent turbulence, only glance up briefly from their books and chuckle softly, as though at the antics of an attention-demanding toddler. I count on the flight attendants not seeming even to notice the sudden bumps that make my own blood run cold.
Even on the longest flight — and I’ve flown from London to Bangkok — I can never really relax. Every time I begin to doze off, it occurs to me that the captain might be suicidally depressed, or that a maintenance worker at the last stop with a secret substance abuse problem might have neglected to perform a crucial test. If the airline has a remarkable safety record, I think about how it’s probably due for a mishap. Beginning our gentle descent into Tenerife in the Canary Islands, I could think only of how it was the site of one of the worst air disasters in recent history.
Mind you, it isn’t the idea of dying that troubles me most, but that of the unspeakable sphincter-loosening dread the passengers on an about-to-crash plane must experience. I have nothing to fear but fear itself, and I fear the hell out of it.
I once flew down to LA from San Francisco with the famously skittish David Bowie, who shortly thereafter declared that all his future travel would be on land or water. Every time the slightest thing happened, we looked at each other with no blood in our faces. Future LA Times dance critic Lewis Segal, sitting between us, thought it hilarious. I might have tried to strangle him if I hadn’t been immobilized by terror.
Leaving from Bilbao late that same decade, I and a young woman publicist with whom I’d become chummy over the course of the San Sebastian International Film Festival worked ourselves into a state of grievous foreboding — and had a succession of stiff drinks — as we awaited the announcement of our departure gate. While she had the sense to go on the wagon once on the plane, I, by the time we landed, was drunker than ever in my life. As everybody unbuckled, grabbed his stuff out of the overhead containers, and crowded into the aisles, my bladder suddenly began shouting, “I don’t know what you think you’ve been doing, but I’m getting rid of this stuff now!” I frantically clawed my way back to the nearest lavatory through my extremely displeased fellow passengers, arriving at the last possible millisecond. When I went through customs, the poor devil whose bad luck it was to interrogate me fanned the air between our faces in disgust. Not even all Brits like the smell of a distillery.
I don’t think I’ve been on a plane in the last 60 years on which I didn’t, just before takeoff, think about Tom Wolfe’s famous piece about Phil Spector, in which Spector is seen deciding there's “something wiggy” about a plane he's on, and (successfully!) demands, moments before it's cleared for departure, to be let off. When have I been on a plane that didn’t seem very wiggy indeed as it headed for the runway? I’m proud of never having actually asked to be let out — and, before that, of never even having allowed my fear to keep me from boarding.
I’m not a member of the Sky High Club, or whatever it’s called. The thought of having at it in an airplane lavatory makes not an extra milliliter of blood rush to my pelvic area, though that may be because I’ve just never met the right girl. The only time a stewardess ever gave me a come-hither look was on a flight from LA to Edmonton, Alberta, Canada, and the fact that I could see the jagged peaks of the Rocky Mountains far too clearly beneath us made me want only more vodka. Also, I think she may have mistaken me for Cat Stevens. We’ll never know now.
Have I mentioned that I have a new album out now? Have I mentioned that Facebookers can subscribe to these little essays here?
We fearful fliers discover one another with an odd combination of delight and disdain. On the one hand, how lovely to meet someone who shares your recognition of how deeply terrifying the whole experience is. On the other, such a person is absolutely the last I want anywhere near me on the plane, where my hope is to be surrounded by those who, even in the most violent turbulence, only glance up briefly from their books and chuckle softly, as though at the antics of an attention-demanding toddler. I count on the flight attendants not seeming even to notice the sudden bumps that make my own blood run cold.
Even on the longest flight — and I’ve flown from London to Bangkok — I can never really relax. Every time I begin to doze off, it occurs to me that the captain might be suicidally depressed, or that a maintenance worker at the last stop with a secret substance abuse problem might have neglected to perform a crucial test. If the airline has a remarkable safety record, I think about how it’s probably due for a mishap. Beginning our gentle descent into Tenerife in the Canary Islands, I could think only of how it was the site of one of the worst air disasters in recent history.
Mind you, it isn’t the idea of dying that troubles me most, but that of the unspeakable sphincter-loosening dread the passengers on an about-to-crash plane must experience. I have nothing to fear but fear itself, and I fear the hell out of it.
I once flew down to LA from San Francisco with the famously skittish David Bowie, who shortly thereafter declared that all his future travel would be on land or water. Every time the slightest thing happened, we looked at each other with no blood in our faces. Future LA Times dance critic Lewis Segal, sitting between us, thought it hilarious. I might have tried to strangle him if I hadn’t been immobilized by terror.
Leaving from Bilbao late that same decade, I and a young woman publicist with whom I’d become chummy over the course of the San Sebastian International Film Festival worked ourselves into a state of grievous foreboding — and had a succession of stiff drinks — as we awaited the announcement of our departure gate. While she had the sense to go on the wagon once on the plane, I, by the time we landed, was drunker than ever in my life. As everybody unbuckled, grabbed his stuff out of the overhead containers, and crowded into the aisles, my bladder suddenly began shouting, “I don’t know what you think you’ve been doing, but I’m getting rid of this stuff now!” I frantically clawed my way back to the nearest lavatory through my extremely displeased fellow passengers, arriving at the last possible millisecond. When I went through customs, the poor devil whose bad luck it was to interrogate me fanned the air between our faces in disgust. Not even all Brits like the smell of a distillery.
I don’t think I’ve been on a plane in the last 60 years on which I didn’t, just before takeoff, think about Tom Wolfe’s famous piece about Phil Spector, in which Spector is seen deciding there's “something wiggy” about a plane he's on, and (successfully!) demands, moments before it's cleared for departure, to be let off. When have I been on a plane that didn’t seem very wiggy indeed as it headed for the runway? I’m proud of never having actually asked to be let out — and, before that, of never even having allowed my fear to keep me from boarding.
I’m not a member of the Sky High Club, or whatever it’s called. The thought of having at it in an airplane lavatory makes not an extra milliliter of blood rush to my pelvic area, though that may be because I’ve just never met the right girl. The only time a stewardess ever gave me a come-hither look was on a flight from LA to Edmonton, Alberta, Canada, and the fact that I could see the jagged peaks of the Rocky Mountains far too clearly beneath us made me want only more vodka. Also, I think she may have mistaken me for Cat Stevens. We’ll never know now.
Have I mentioned that I have a new album out now? Have I mentioned that Facebookers can subscribe to these little essays here?
Thursday, January 21, 2010
Why the Very Famous Stop Going Out
I was in a line for tickets to Disney On Ice at San Francisco’s Cow Palace sometime in the mid-90s when a guy behind me started bellowing, “Joe! Hey, Joe! Over here!” I assumed he’d recognized an acquaintance named Joe, but was mistaken. Whom he’d recognized was San Francisco 49ers quarterback Joe Montana, at the time enjoying — if that’s the operative word — a status in the Bay Area just between God and Jesus Christ. Joe had apparently imagined he could come see the show with his wife and daughters, and they were indeed able to see it, but only after a mob of security guards rescued them from the frenzied mob that formed in response to the bellowing of the guy behind me.
If you have a lot of fame, you can always be assured of getting a table at a restaurant — and of being harassed while you try to enjoy your meal. Between the countless tens of millions who want more of it and the several thousand who want far less, and not counting the weirdos and Buddhists who want none at all, there might be around half a dozen people in the world who have an amount with which they’re happy.
I was friends with David Bowie when he was a couple of months into his Ziggy Stardust-fueled ascent to the toppermost of the British poppermost. When he and his then-wife took me and Big Patti to dinner in London’s West End, he was the only diner there with flame-colored hair, and was approached, while he tried to enjoy his meal and our company, by an endless succession of wide-eyed fans. Not one of them wasn’t well-mannered, but not one didn’t compel him to put down his soup spoon, glass, or fork. And not one actually wanted his autograph for himself; it was invariably for a sibling or friend. It amused me to see how his fans seemed to imagine that they weren’t intruding if it was on behalf of an unseen other.
I was famous on a small scale myself there for a couple of years, around the time the noted music journalist Bud Scoppa referred to me as The King of LA. It was very much what game theorists might have described as a zero-sum situation. On the one hand, my having managed to woo ‘n’ win Big Patti might have owed, if only subliminally, to my fame. On the other hand, what very hard work! Well-meaning people with whom I had no particular desire to interact were forever coming over and telling me, at best, how much they liked my work, but what do you say after “thanks”? I’d say exactly that, and then holler, in body language, “Off you go then,” and they’d continue to stand there beaming at me, reveling in the fact of our interaction. Over and over and over, when I finally excused myself, I felt as though hurting the feelings of people who’d been nothing but sweet. Be gracious and accommodating with people and they think you want to be BFFs. Be self-protectively brusque and get a reputation as a stuck-up so-and-so. I can well understand why the very famous stop going out.
Not, of course, that you have to actually be famous. For a number of years, it was impossible for me to walk through an airport, say, without somebody stopping me, squinting at me accusatorily, and demanding, “Hey, you are somebody, aincha?”
Become sufficiently famous as an athlete or performing artist, of course, and you become fair game for magazines and Websites in the business of exposing dirty laundry. But American celebrities don’t know how soft they’ve got it compared to their British counterparts. In the UK, which earlier gave us Chaucer, Shakespeare, and Dickens, there are magazines unashamedly devoted to photographs of celebrities’ cellulite, moobs (man boobs, you see), and dark underarms. We tend to think of celebrities who lash out at paparazzi as brats and dickheads, but who among us would be comfortable with barbarically unflattering photographs of us being published above captions like, “The other morning when s/he went out to pick up the morning newspaper, So-and-So was hideous enough to terrify impressionable children.”
I always loathed The Eagles, but I’m not sure I’ll ever write a line better than this, from The Sad CafĂ©: “Fortune smiles on some/And lets the rest go free."
[My life-affirming new album Sorry We're Open can't understand why you've been so remiss about listening to it. Facebookers: Read more of my little essays, and in fact subscribe to 'em, here.]
If you have a lot of fame, you can always be assured of getting a table at a restaurant — and of being harassed while you try to enjoy your meal. Between the countless tens of millions who want more of it and the several thousand who want far less, and not counting the weirdos and Buddhists who want none at all, there might be around half a dozen people in the world who have an amount with which they’re happy.
I was friends with David Bowie when he was a couple of months into his Ziggy Stardust-fueled ascent to the toppermost of the British poppermost. When he and his then-wife took me and Big Patti to dinner in London’s West End, he was the only diner there with flame-colored hair, and was approached, while he tried to enjoy his meal and our company, by an endless succession of wide-eyed fans. Not one of them wasn’t well-mannered, but not one didn’t compel him to put down his soup spoon, glass, or fork. And not one actually wanted his autograph for himself; it was invariably for a sibling or friend. It amused me to see how his fans seemed to imagine that they weren’t intruding if it was on behalf of an unseen other.
I was famous on a small scale myself there for a couple of years, around the time the noted music journalist Bud Scoppa referred to me as The King of LA. It was very much what game theorists might have described as a zero-sum situation. On the one hand, my having managed to woo ‘n’ win Big Patti might have owed, if only subliminally, to my fame. On the other hand, what very hard work! Well-meaning people with whom I had no particular desire to interact were forever coming over and telling me, at best, how much they liked my work, but what do you say after “thanks”? I’d say exactly that, and then holler, in body language, “Off you go then,” and they’d continue to stand there beaming at me, reveling in the fact of our interaction. Over and over and over, when I finally excused myself, I felt as though hurting the feelings of people who’d been nothing but sweet. Be gracious and accommodating with people and they think you want to be BFFs. Be self-protectively brusque and get a reputation as a stuck-up so-and-so. I can well understand why the very famous stop going out.
Not, of course, that you have to actually be famous. For a number of years, it was impossible for me to walk through an airport, say, without somebody stopping me, squinting at me accusatorily, and demanding, “Hey, you are somebody, aincha?”
Become sufficiently famous as an athlete or performing artist, of course, and you become fair game for magazines and Websites in the business of exposing dirty laundry. But American celebrities don’t know how soft they’ve got it compared to their British counterparts. In the UK, which earlier gave us Chaucer, Shakespeare, and Dickens, there are magazines unashamedly devoted to photographs of celebrities’ cellulite, moobs (man boobs, you see), and dark underarms. We tend to think of celebrities who lash out at paparazzi as brats and dickheads, but who among us would be comfortable with barbarically unflattering photographs of us being published above captions like, “The other morning when s/he went out to pick up the morning newspaper, So-and-So was hideous enough to terrify impressionable children.”
I always loathed The Eagles, but I’m not sure I’ll ever write a line better than this, from The Sad CafĂ©: “Fortune smiles on some/And lets the rest go free."
[My life-affirming new album Sorry We're Open can't understand why you've been so remiss about listening to it. Facebookers: Read more of my little essays, and in fact subscribe to 'em, here.]
Tuesday, January 5, 2010
Memories of MacWorld, Fond Ones!
The news that Apple is about to introduce another revolutionary product that I can’t afford has made me remember how much, at this time of year, I used to look forward to MacWorld at San Francisco’s Moscone Convention Center. Acres of Mac-related products as far as the eye could see! You’d walk around loading huge, colorful department store-style bags bearing this or that software company’s logo with free magazines, free floppy disks, free whatsits and trinkets beyond counting. You’d ooh and aah at demonstrations of dazzling new software, and sip complimentary beverages. You’d buy more memory.
Whole legions of badly dressed, often rat-faced former members of their high schools’ ham radio and audiovisual clubs buzzed and vituperated like callers to talk radio sports shows about What [Steve] Jobs Was Gonna Say at his big State of the Mac address. And you should have seen them when a software demonstrator made known that he’d be tossing free T-shirts into the crowd. Their pupils would dilate. The dark spots under their arms would expand, and appear damper. They’d moan, and tremble. Their tics would become more pronounced. Free T-shirts, just for correctly answering the demonstrator’s questions! Free T-shirts!
One year, it was as though you’d be arrested for using the word software; everything was a…solution. You wanted to lay out a brochure on your Mac? Well, Company A had a desktop publishing solution. You wanted to figure out how much you owed Uncle Sam? Company B to the rescue, with an accounting solution. It was really obnoxious! I related the phenomenon to the celebrated columnist Herb Caen, and he put it in his San Francisco Chronicle column, but without attribution, though I did get a nice signed note that I proudly archived beside my Pete Townshend, David Bowie, Tipper Gore, and Vin Scully letters.
I think that was the same year one software company hired a bevy of lithe young beauties to hang around in front of its exhibit in luminous latex catsuits. I spent a lot of time investigating their various…solutions; oh, did I! I am reluctant to plug The Onion, which, whenever I've suggested that I join their writing staff, sniffily inform me that they’re not looking for anybody, but I absolutely must share with you the funniest thing I’ve ever seen related to the Mac!
One year Kai Krause, namesake of the Kai’s Power Tools suite of Adobe Photoshop plugins, made an appearance. The crowd couldn’t have been more excited if he’d been Elvis, returned from the dead and carrying a naked Marilyn Monroe in his arms. Kai revealed during his presentation that he had 256 kilobytes of RAM on his own computer, and I, who had six, and a 40MB hard drive, very nearly fainted with envy; the iMac on which I’m writing this has 2GB of RAM, around a billion times more, by my calculation!
These are wonderful times in which we live, and I am using a great many explanation points today, but just try and stop me! The Lexapro may finally be working!
[Hear my life-changing new album Sorry We're Open here! Facebookers: Read more All In Tents and Porpoises essays and subscribe here.]
Whole legions of badly dressed, often rat-faced former members of their high schools’ ham radio and audiovisual clubs buzzed and vituperated like callers to talk radio sports shows about What [Steve] Jobs Was Gonna Say at his big State of the Mac address. And you should have seen them when a software demonstrator made known that he’d be tossing free T-shirts into the crowd. Their pupils would dilate. The dark spots under their arms would expand, and appear damper. They’d moan, and tremble. Their tics would become more pronounced. Free T-shirts, just for correctly answering the demonstrator’s questions! Free T-shirts!
One year, it was as though you’d be arrested for using the word software; everything was a…solution. You wanted to lay out a brochure on your Mac? Well, Company A had a desktop publishing solution. You wanted to figure out how much you owed Uncle Sam? Company B to the rescue, with an accounting solution. It was really obnoxious! I related the phenomenon to the celebrated columnist Herb Caen, and he put it in his San Francisco Chronicle column, but without attribution, though I did get a nice signed note that I proudly archived beside my Pete Townshend, David Bowie, Tipper Gore, and Vin Scully letters.
I think that was the same year one software company hired a bevy of lithe young beauties to hang around in front of its exhibit in luminous latex catsuits. I spent a lot of time investigating their various…solutions; oh, did I! I am reluctant to plug The Onion, which, whenever I've suggested that I join their writing staff, sniffily inform me that they’re not looking for anybody, but I absolutely must share with you the funniest thing I’ve ever seen related to the Mac!
One year Kai Krause, namesake of the Kai’s Power Tools suite of Adobe Photoshop plugins, made an appearance. The crowd couldn’t have been more excited if he’d been Elvis, returned from the dead and carrying a naked Marilyn Monroe in his arms. Kai revealed during his presentation that he had 256 kilobytes of RAM on his own computer, and I, who had six, and a 40MB hard drive, very nearly fainted with envy; the iMac on which I’m writing this has 2GB of RAM, around a billion times more, by my calculation!
These are wonderful times in which we live, and I am using a great many explanation points today, but just try and stop me! The Lexapro may finally be working!
[Hear my life-changing new album Sorry We're Open here! Facebookers: Read more All In Tents and Porpoises essays and subscribe here.]
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